Category Archives: nature

Sky Dogs

the dogs are in the sky

in the clouds

the colors are their sniffing ground

I walk with them  wild openness

nothing tethered

their playing field

is pure changeability

from one moment to the next

 

the sky dogs roam

but in their roaming

come home again and again

never leaving the vastness

of their infinitude

bedding down only

in the thunder and

the lightning

 

howling and braying

cascading down the gorge

the tender-footed ones

follow the light traces

wings of birds

starlight

the calls of coyotes

and bright cactus flowerings

 

they dig

and dig deeper

into my being

pirouettes and thermals

carrying me to the

outer atmosphere

beyond any longing

swimming a rarified ocean

 

and as I follow

will I tip onto the other side

even imagining

another side

has the weight of

pretend and posture

this vastness holds

no bars on any spiral

 

 

 

 

 

 

 

This One

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This one  showing up

Rises on the view

Looking out over open horizons

Curious and curiouser

And I, what is I am, watching

.

I stand in your company

The stories pour and pour

Forth that great big vessel

Of a heart uncontainable

But wishing to be contained

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Who has the story or does

The story have us intermingled

Woven in and out of the weft

Of being thread of becoming

Such a delicate thread it is

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However it is  it is a gift of

Heart of love of seeing

Beauty speaks through these

Strings strum simultaneously

Tremolo sostenuto entangle

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Trust Fortitude Misfortune Joy

All gather ’round the table

Made just for these and Two

Others autonomous resplendent

Everything celebrates This One

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“Will you let me love you?”  Awry

The question shines like a diamond

Many faceted and subtle in its stark

Beauty because Love has no bounds

And knows this source from its core

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No permission is needed as What Is

Is simply What Is ~ how many times

Does saying that make it so? It seems

Easier to speak the unspeakable

Than freeing that which is Unbound

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Photo Shoot :: dance of innocents

If I could see with the eyes
I See with ~ the wonder and gravity
Of What Is would be deeply evident yet
Needing no evidence nor questioning

And yet the power of those eyes
Is that they don’t see in the plainest
Of ways, but as the ordinarily extraordinary
Depth of field without f-stops

Nothing captured for posterity, contrasting
All sense of judgment with the luminosity
Of vibrancy such that even the Camera
Obscura lays wait, no pin prick necessary

As bubbles burst upon forming, projections
Simply do not arise, people do not gather for or against
And even places do not serve as some kind of Dominion
Nor as shoving off, point of departure

How odd that our lives seem to balance
Between a collection of events and things
As we surround ourselves with tangible markers
Of the intangible. What a task

We ask of the humble traces of earth and sky
When their very nature is just to be
No claim on anything, but abiding and giving
Nonetheless. Purpose perhaps but no need.

for James Wheeler (in asking to take photos) and Peter Kater (for Dance of the Innocents)

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Painting Bodies

for Becci

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If I had painted myself today

I would have been thinking

of our conversation and how

.

you seem to be in two places

at once while I — take chase

in hopes of getting sympathy

.

for an aged cheese, long sitting

on the shelf in wait of a gourmet

taster, just like you, someone

.

who’s not deterred in the least by

stinky concoctions, can see them for

what they are — real, incased, beauty

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in a tough rind, the skin of this

body politic, the only one evident

to me at this time. “I don’t think

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you understand,” I say to myself after

the conversation has gone on to other

doings. I’m so tempted to say, “What good

.

will it do?” But I don’t. Instead I look

for anything that could serve as pigment,

binder, carriers, brushes –preparing.

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As I paint myself today, the body which

is not me, returns into its elemental

unfolding falling back towards the

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natural order of its emanation: water

to water; seed to seed; fold unto fold;

mineral saturations and truth and grit.

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“What/where is that other place you exist?”

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Praise to Thickets Amongst Us

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Thicket along the watercourse; San Cristobal, NM

Down by the thickets of willows making their place where waters sometimes run (as a trickle or more.) This wayside is where the heart has its home, the air naturally cooling in this weave on a very hot day.

I’ve been here “on the property” for a little over two weeks but clearly haven’t arrived until now. This is my first day here in the grasses, on their way to tall, the filtered light in nuances more than I can count, the old bowing willow branches remind me of the ever present inspiration to the eye of an artist, perhaps the other way around. To draw this place or just to be and see and be touched by this wild order? The kind of beauty that can go so easily unnoticed, much less the amazing feat of interspecies communing, even those without voices, but textures, color, integrity take me over. The air is not the only element that is renewed here.

I want to say “on the other hand…” as I contemplate the contrast of the places that have been denuded (a stone’s throw from here) or stripped of their natural dignity by the use or appropriation for something we call “living our lives.” What I love about this wilder place by the draw behind the house is that life is already living here fully and I simply join in. This grand beingness of it all!

It’s not that this place is any better than someplace else, it’s just that it is THIS place and can be no other place! And how so very different it feels here than just fifty or a hundred yards away. What a gift this place speaks of my own nature, which sometimes seems much less human than just Being alive, sentience itself, able to be touched, penetrated by the exquisite weave of interpenetrating life, of consciousness. The magpies have their squawk and the mourning doves their cooing calls. The breeze, now at my back, stirs the green life alive into motion and sound. Is it the motion of things that we hear or is it something just a bit more illusive than that?

This up close visitation to the green of the thicket next to the seeping wallow brings me right to the taste of my own heart. They are not like the wider vistas of mountains in the distance with fields of sagebrush laying out before them, not like the open, open skies with all matter of clouds and blue in their ever-changing atmosphere-scape. Here things crowd in without any feeling of density or overbearingness. Here is intimacy, did I say that already, of brush and bower, of grass and twig, of every kind of insect and butterfly with the light ever shifting amongst it all. I become part of a nourishment cycle; bathing in spirit of thicket and this very place.

morning sketch

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14.5″ x 18″, in pencil and filtered light on paper

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Like This

The earth is like this to me
ha bowne doewn doewn na na na
The sky is like this
swee swee swee na la
And the snow
haaah so so hey sshhh

Oh so so, you BelovedDSCN0355
where and what are you 
to me or to we -- swee
swee na na na so so hey

The river the river the river
sallaway sallaway saraney
eoinden eoinden snaei
The sun shaping of shadow
like this like this
(silently) (silently)

When do we when do we
anina ani na ohw ohw
How do we how do we
like this like this

land cloud earth air water and photography

slope ridge line light

Photography –a medium I first explored over three decades ago and now find myself coming back to again, is compelling. It is the appearance or illusion of what was seen –not seen by the naked eye but by the camera, as Garry Winogrand so aptly noted as he discussed photography while being filmed himself for a documentary on photography.

We can look at photography in another way, not the way the camera ‘looks’ at the world in that split second aperture opening, but the way the human being and the human eye explores and glances, focusing or not focusing at something. Each photograph I take asks, if it can be said that way, to be looked at differently. In the photo above, for the body/brain there is a gestalt here. There are worlds within worlds in this image in the way I experience it. There is abstract beauty, there is light, dance, majesty, tenderness, softness, a deep relax. I love what seems to me the visitors, the trees high up on the ridge drawing my attention and intersecting the ridge line, riding the slope of this arid mountainside.

I love the scale shift in detail from the foreground to the very distant space of the ridge on into the sky. The feel of the day that drew me out into its changeability is touched here in this photograph, for me. Something breathes more easily within me in the presence of this light and shadow illusion of a land and cloud scape. So where might we say this landscape exists?

As invisible

as an updraft, the eye soars

as the osprey’s flight

The Land of Clouds

The other ‘land’

A new land was visible, as well as undeniably felt today. This land was a land of clouds, in perfect synergy with the geological, earthen land masses that appear so permanent and reliable. The cloud cover was ever changing today, reliably so. The play of light and shadow cast exponentially greater than the day or two before when I took in the simple play of afternoon light and shadow on the slopes of the Adams Gulch trail north of Ketchum (where I’ve been communing with animals for the last three weeks.)

It was as if I had arrived in a wholly new place. The clouds joining with, marrying, in a deep interplay with the curves and slopes of the mountains and hills and creek valleys everywhere around me creating a new order of scape. I was drawn to capture the shapes and the light and the feel of these ineffable contours again and again and again. Everywhere I turned, yet another land to move with, to be wafted by, lifted up while my feet remained with the ground below.

Dwelling place in the clouds

Where is it we dwell, truly? There is only one small portion of ground that our physical form rests down, touches down, meets contact with and makes real that place. All other aspects of space are perceived, even if they can be mapped, recorded, seemed to be held real ~ all these are simply a pointing to. Such is the magic of the cloud land or cloudscape, no maps are made of these.

Hiroshige Homage

In that way, clouds are akin to so many other changing thus not permanent things, not expected to remain the same. What is it about cloud nature that our brains so resonate with their phenomena? Are we not so much closer to cloud than steel or glass or even wood? We are so changeable by so, so many aspects and factors of life that shape us, constrict us, show us off, dissolve us, heighten and sometimes perturb us.

Permanently Changeable: Sky Dance

I will meet you here

We are at home in the sky

There no ladder climbs

Five Tails

Steady ground of multitudinous paws

with limitless capacity to reflect

I gaze through dog windows seeing

laying  there aspects of my self

true and false  whole as well as partial

muddied then still and clear

what a day of five tails telling

what might not otherwise be seen

a) Attentive

foundling shaped coddled softened

from the inside out Mystic Eye of

the Beholder tender and fierce

at times rapidly interchanging

hesitant yet braised in a longing

contained by eons of shadowing

supplicant of the human heart

when opened  vastly free

b) Bounding

naked nighttime new moon confab

juxtaposes playful boundless reverie

extremes of pursuit and contentment

don’t tie me down but keep me close

tender toothed kisses unfettered affection

I see my own innocence here glowing

even with misunderstandings speculation

and day rises again the bright clear sun

c) Chivalry

the heart that opens deeply softly

eyes eyes eyes seeing watching tasting

putting all aside ready to desire delight

transparency confluence of many worlds

easy traveler buoyant riding over surface

and depth his role clear certain allowing

leave it in his hands but paws and nose

return again and again ever welcoming

d) Dear

unsettled bashfully brazen welcoming

committee of one of anything needing

alerting exuberantly caught in her own skin

and grace melting icebergs in her sleep

where all previous proclivities disperse

just give me something soft to curl onto

something to gaze into calm me full

in these simple yet abiding nourishings

w) Exceptionally

no other steps in here in This Way

fraught with complexity and oh so

vulnerable would it could it be seen

only only only ready ready steady

bound within an unspoken allegiance

being everything and plus some to His

and yet what has been asked is more

than some could bear this bare note

• • •

And five tails told but only wagging

can tell what more is to be seen

dog windows to the soul of so many

internal worlds open space off leash