Category Archives: poetry

original poems by Janice Sandeen

Lightly Treading : The Least Likely Elements

( poetry form: pantoum )

skies & snow hills reversal Feb 2016

I will tread this way, the way of offering up what it is that I experience

May or may not be a way that anyone can follow or taste the trace of

Depths of snow remain still in places, whereas bare ground also shows

The dogs and I walk this frozen surface, lithe as cloud jumpers, buoyant

 

May or may not be a way that anyone can follow or taste the trace of

What we share here is both rarefied and basically elemental, in concert

The dogs and I walk this frozen surface, lithe as cloud jumpers, buoyant

Silently scouting the canopied underbrush, then back to traversing clouds

 

What we share here is both rarified and basically elemental, in concert

Listening is simultaneously an act of bravery, risk, and companionship

Silently scouting the canopied underbrush, then back to traversing clouds

The least likely elements are embedded deep within this resiliency song

 

Listening is simultaneously an act of bravery, risk, and companionship

The risk speaks to the radical nature of what can and will be unearthed

The least likely elements are embedded deep within this resiliency song

These rest and wait until the very moment they are needed, called out

 

The risk speaks to the radical nature of what can and will be unearthed

Claims of solitude and measure, easy to walk outside of rather than in

These rest and wait until the very moment they are needed, called out

The very thing seen can be that which unnerves, estranges or restores

 

Claims of solitude and measure, easy to walk outside of rather than in

I take these close to heart, learning their ways and wisdoms, whole

The very thing seen can be that which unnerves, estranges or restores

The ways I measure and keep myself, what telling, what spells are these?

 

I take these close to heart, learning their ways and wisdoms, whole

I will tread this way, the way of offering up what it is that I experience

The ways I measure and keep myself, what telling, what spells are these

Depths of snow remain still in places, whereas bare ground also shows

 

El Salto hills deep winter 2016

photographs : janice sandeen, el salto hills & skies 2016

 

 

That Which Dwells (pantoum)

 

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Leaving it be, letting be what is; here I remain even as I falter

A precious something that dwells within this thinking heart

Across the field and around, the Elk pass by unseen as they do

Their traces left as gifts of recognition, frozen breath, and praise

 

A precious something that dwells within this thinking heart

The threads that tie and connect within this weaving incomparable

Their traces left as gifts of recognition, frozen breath, and praise

I hear the song of the Waters held deep within both cold and time

 

The threads that tie and connect within this weaving incomparable

Flush out the colors from where they reside and wait, wait and reside

I hear the song of the Waters held deep within both cold and time

What is listening, what is singing and how do these footsteps continue on?

 

Flush out the colors from where they reside and wait, wait and reside

Smelling, tasting, seeing, inner eye reflecting, feeling beyond, touching

What is listening, what is singing and how do these footsteps continue on?

Bones and the blood are agents of these: time, tenacity, and temperature

 

Smelling, tasting, seeing, inner eye reflecting, feeling beyond, touching

Leaving it be, letting be what is; here I remain even as I falter

The bones and blood are agents of these: time, tenacity, temperature

Across the field and around, the Elk pass by unseen as they do

 

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poetry form: pantoum
photographs: janice sandeen 2019

 

 

 

The Green Tumbling Down

To remake oneself while the house
is crumbling all around you,
That is the finest dream there is:
to take to heart all that is true and real
by the measure which no one owns but you.

I had to climb in from the back side door,
someone else’s entrance, to save what I’d lost.
Even then the pieces no longer made sense,
others’ notions of decorum and amorous play
remained and needed casting out, a wild gesture,
which nearly cost my last ration of aliveness.

How can we take someone else’s word? A word is spoken,
a word uttered, is uniquely its own, cannot be held,
cannot be possessed: only given free rein within.
And yet I seemed to have made a house of words,
too often borrowed and put into service unawares;
no wonder this crumbling, going to pieces.

How to build, when instead those former structures
long to crack and spread under their weights,
the weight, the waiting in time? Let them. Let them.

So, I found myself riding the falling staircase
as it clamored to the ground.
I found myself, capacity clear and centered,
like riding a wave and knowing my own,
landing unscathed, vitrified, transformed.

I found myself abiding in a radiance akin to the sun,
a light burgeoning a peace like none of another’s making.
A peace that could only come with the calming
of the many internal storms, a peace harboring itself,
casting its wonder as lines to the shore,
the shores of partiality for this very heart.

This undoing in the making, the making in the undoing,
is rough business and not for the faint of heart.
Although it is sometimes arrived at out of exhaustion,
a half-heartedness from trying to fulfill another’s destiny,
from trying to fulfill a destiny other than one’s own.

Landing, finally, in my own body, my own corporeal soul,
that word that is the concrete refuge, the heartened wood.
I give the green arising of this vitality free rein, free reign.

15 January 2007
Fairfax, California
Janice Sandeen

note: This poem was written some time ago, back in 2007. Partly due to a conversation about experiencing challenges in my life, the time of letting go and dying that autumn is naturally, as well as ALL the feeling that is so incredibly alive and stirred up at these times with everything occurring at this time, I looked for this poem here and realized I had not ever published it on Contemplative Fire. I wrote it years before I ever dreamed of starting a blog to share my poetry. I share it with you today. Deep blessings to you and thank you so much for reading.

Abacus (pantoum)

 

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Quietly apparent all that arises naturally as life

Synchronous arising no before or after only simultaneous

Yet counting on something passing clicking as if on an abacus

I draw out in the sand the footprints I leave behind as I go

 

Synchronous arising no before or after only simultaneous

Each day a counting from birdsong to bloom tender traces each

I draw out in the sand the footprints I leave behind as I go

To be washed clear, here the winds doing this work, a purification

 

Each day a counting from birdsong to bloom tender traces each

Drawing out that which has been dormant in other seasons

To be washed clear, here the winds doing this work, a purification

The counting as a momentary way of relating to the vast timeless

 

Drawing out that which has been dormant in other seasons

Gathering the sum of all the parts of what is a living precipice

The counting as a momentary way of relating to the vast timeless

This precipice, a burgeoning so fierce that it claims within it the calm

 

prompt: pantoum

27-30 April 2018

cc Janice Sandeen

Being Held Under: the dream (pantoum)

Sleep and the torment of undifferentiated events occurring and reoccurring

Crying out to the nursemaid that appears, an invented character –not an ally

Furiously I dig into depths of sediment made (up) of eons before and still to come

Anonymous things cascade as their very formation, epic some, insidious others

Crying out to the nursemaid that appears an invented character, not –an ally

Sure that help must come, as sure as previous layers settled Once Upon a Time

Anonymous, things cascade as their very formation –epic, some insidious, others

Remaining unresolved, thus acting as antigen, both antagonist and protagonist

Sure that help must come, as sure as previous layers once settled upon, a time

Repeating itself once again, yet the faces and objects take on different colors, shapes

Remaining unresolved thus acting as, antigen both antagonist/protagonist

Clambering to the ungraspable source, the surface –life support, of which there is none

Repeating itself once again yet the faces… and objects take on different colors, shapes

What mystery this puzzle that takes itself so resolutely magnificent in its diffuse distillations

Clambering to the ungraspable, source the surface, life support of which there is –none

Better than waking (up) dreaming –only to recognize the once hidden throngs effervesced

 

Thank you to the Richmond (CA) Poet Laureates Daniel Ari, Rob Lipton, and Ciera Jevae-Gordon for the writing prompts this past month during National Poetry Month. 🙂

[This poem is a pantoum, “a Malay repeating form, written in quatrains, in which the second and fourth lines of each stanza become the first and third lines of the next one.” –from p. 195, The Poetry Dictionary by John Drury, ©1995 Story Press; Cincinnati, OH.]

Dry Winter Spring

dry skin dry winter

it’s been a dry season

coming to the surface now

 

hot air balloons rise in the distance

spring is here and

no mud in sight, clean shoesdry winter spring

 

cracked lip cracked skin

all those years, parched

and homeostasis still

 

this season is this one, now

part of the whole, of the All

perhaps a bouquet of choices

 

among what is choice-less

looking below the surface

and beyond the markers of time

 

and where I stand, sitting

still or actively creating

amidst it all, amidst all

 

As the All, the all that I am

cannot help but be that

dry skin, cracked lip

 

paired dance, two step three

forward back, circling

hot air rises, takes up wing

 

single piano melody and cadence

joined by a symphonic chorus

that I see all around me

 

Another season will be

will be what it is then

even now that season emerges

 

Apparent in ways not yet visible

the tear running down the face

surfaces after long held heart

 

Cracking a smile has other allies

even if only there under the skin

opens out and then returns quietly

 

like a breeze scattering seeds

that would otherwise reside

close in, close by where they fall

 

singing of loss beneath the breath

keeps the flowers ready to blossom

their scent barely contained and rising

 

crispness of air, spirit, sight, and earth (heart)

such ways sing brightness of their own

elegy only for nostalgia alone

cc Janice Sandeen ~ Arroyo Seco, NM

 

To the many recent followers of my blog… and to all my readers, thank you!

First off, thank you to those who have followed my blog recently. I am so appreciative of all my followers, as some of you have been following this site since 2010! This post is dedicated to all of you. Thank you for coming along on this journey with me. _/|\_

I would like to share that I am mid-stride in upgrading my WordPress site. I am about to embark on steps to enhance and expand how I have been using this site and would love to hear, first, how I might be able to incorporate your input. One example is that with this upgrade, I will be able to post video content for the first time. Would you like to share suggestions as to what would bring you the most benefit, insights, or joy in interacting with and using this site?

I am happy to hear from and/or collaborate with any of you who may be interested to interact with me regarding what upgrades I make. I am also curious if you found yourself here to explore Human Design or my work in Communing With Animals? Are you a poetry and/or photography lover? Maybe you have come to explore my newest work Zero Point Collaborative. All of these are what my blog is now dedicated to.

There are numerous (and hopefully easy) ways you can give your input. You can click through to this post on my site and comment there. You are also welcome to simply email me and if you wish to or if you live in the USA, feel free to text or call me. Click here for my Contact page.

The easiest of all, perhaps, is to click “Like” on this post below, which lets me know you are reading this and wish to encourage me! However you’d like to participate or not, thank you! ❤

Some questions to whet your appetite for offering input: 

What would you like to see here that doesn’t seem (yet) to be included?

Do you want to hear more about my services or be given a sample of my services?

How well is the current site working for you? Is it easy or not to navigate?

Would you like video, audio, more photographs, and perhaps less of something else? 

Would you like to hear more personal sharing from me?  More frequent blog posts?

Are you interested in information that I can impart about any of my passions? 

What input might you like to give that I’ve not yet asked about?

Finally, how can I make it easier to share this blog and its content?

 

National Poetry Month ~ An evening of “Poetry in Translation” @ SOMOS in Taos, NM

As part of April as National Poetry Month, here in Taos there have already been many wonderful gatherings, readings, and performances devoted to our love of poetry and local poets here in Taos. There are three more events this week, one workshop and two evenings of poetry readings. I will be presenting something different than I have ever before ~ a cross-pollination between my poetry and my photography, as well as a chance to share a number of my visual poems.

On Saturday evening at 5:30pm at SOMOS (Society of the Muse of the Southwest), I will be joining curator Ariana Kramer and two other poets, Sonja Kravanja and Fiona Sze-Lorrain, to share on a theme of Poetry in Translation. If you are any where in the local area of Taos, New Mexico, please consider joining us! These events are free (a few specific ones are not) and are presented by SOMOS and the Taos Arts Council, along with our amazingly creative curator (and also poet), Ariana Kramer. The latter of the month has another 4 events. See the flyer below for more details.

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Concurrent with these events, I am also participating in “Poetry in Public Places”, where local poets have printed a poem of theirs, which was then placed in a frame and now dons the walls of one of numerous local establishments. My poem, “Brightness Spectrum“, is at Coffee Cats in the John Dunn Shops arcade right near the Taos Plaza. If you go for a visit to read the poems, please thank our hosts, Coffee Cats, for participating in this cultural celebration of poetry and local poets. 🙂

And a final note of mention, since my presentation is in the form of a PowerPoint presentation, I will have it documented and hope to share it here on my blog, in future!

 

Sacred Seed Sacred Song

Sacred Seed Sacred Song clear:drawings

Celebrating the 20th anniversary of Sacred Seed with this poem, SACRED SEED SACRED SONG, which the title of my first poetry book came from. This poem was written 21 years ago and first self-published 20 years ago by Wild Fig Tree Press.

 

flesh and bones chill and rejoice

chill and rejoice

duet of northwesterly lapping waves

skins of ancient water and stone

meeting along the chorus line of ocean shore

 

a deep quartet rises in tones

of amber, heather, ruby, and ice

folding into a quintet of pounding heart chambers

opening, releasing to the verses

of the whole heart womb

 

alive

 

lay down in the circle of visions yet told

the mapping emerges in traces

of salt, ash, sand, and root hairs

veins of crimson and cobalt,

silver and gold

 

a calling, leading raptor release on high

as ruby-throated friends hover and feed

hover and feed

on honey blood nectar

 

the coiling, spiraling, glistening core

double strands of earth and sky

earth and sky

moonlight, sunlight, starlight, home

 

earthly seeds sing sweetly of winter rains

tentacled threads tying fast

fluid colors richly layering ebb and flood

ebb and flood

 

tide lines becoming score lines

faceted voices touch and hold

touch and hold

 

Marshall, California ~ 6 November 1996

SACRED SEED ~ originally self-published in December 1997 ~ Wild Fig Tree Press

It is the 20th Anniversary of my first book of poetry, Sacred Seed. Here is an image of the original cover art for this limited edition, hand published poetry book or chapbook. I include the table of contents below, as well. I will share some of the poems from this book in following blogposts. Feel free to request a poem via a comment to this post after reading the titles on the contents page below.

Blessings and thank you for helping me celebrate this 20 year marker for Sacred Seed and the sharing of my poetry more widely, starting back in 1997 while I lived in Marshall, California on Tomales Bay. 🙂

Sacred Seed original artwork 1997

Celebrating the 20th Anniversary of Sacred Seed ~ poems from 21 October 1996 to 1 May 1997 ~ poetry and original artwork by Janice Sandeen; Wild Fig Tree Press

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