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Sacred Seed Sacred Song

Sacred Seed Sacred Song clear:drawings

Celebrating the 20th anniversary of Sacred Seed with this poem, SACRED SEED SACRED SONG, which the title of my first poetry book came from. This poem was written 21 years ago and first self-published 20 years ago by Wild Fig Tree Press.

 

flesh and bones chill and rejoice

chill and rejoice

duet of northwesterly lapping waves

skins of ancient water and stone

meeting along the chorus line of ocean shore

 

a deep quartet rises in tones

of amber, heather, ruby, and ice

folding into a quintet of pounding heart chambers

opening, releasing to the verses

of the whole heart womb

 

alive

 

lay down in the circle of visions yet told

the mapping emerges in traces

of salt, ash, sand, and root hairs

veins of crimson and cobalt,

silver and gold

 

a calling, leading raptor release on high

as ruby-throated friends hover and feed

hover and feed

on honey blood nectar

 

the coiling, spiraling, glistening core

double strands of earth and sky

earth and sky

moonlight, sunlight, starlight, home

 

earthly seeds sing sweetly of winter rains

tentacled threads tying fast

fluid colors richly layering ebb and flood

ebb and flood

 

tide lines becoming score lines

faceted voices touch and hold

touch and hold

 

Marshall, California ~ 6 November 1996

SACRED SEED ~ originally self-published in December 1997 ~ Wild Fig Tree Press

It is the 20th Anniversary of my first book of poetry, Sacred Seed. Here is an image of the original cover art for this limited edition, hand published poetry book or chapbook. I include the table of contents below, as well. I will share some of the poems from this book in following blogposts. Feel free to request a poem via a comment to this post after reading the titles on the contents page below.

Blessings and thank you for helping me celebrate this 20 year marker for Sacred Seed and the sharing of my poetry more widely, starting back in 1997 while I lived in Marshall, California on Tomales Bay. 🙂

Sacred Seed original artwork 1997

Celebrating the 20th Anniversary of Sacred Seed ~ poems from 21 October 1996 to 1 May 1997 ~ poetry and original artwork by Janice Sandeen; Wild Fig Tree Press

img_20171129_122242769983666.jpg

Brightness Spectrum

The day seemed brighter than usual in the most uncanny of ways.

The creek could be heard flowing and the flies and bees buzz

was also heard more clearly than usual. But amidst all of these patterns,

there was something else fractured and marred beyond

any usual glimpse of what life could be or look like.

 

There was the stimulation of things unknown,

which is always there for the taking or playing with ~

but today it was more like the unknown of the unknown.

Unknowing squared. It’s not quite like a double negative.

Unknown and more unknown is just the unknown.

 

It may seem odd to ask, “what do we know

about the unknown?”–but it’s precisely that

kind of question that is needed at times.

 

The words tick on like seconds on a clock,

like bees returning to the hive,

like water flowing ever down, down, down.

 

The words themselves are sometimes the only clues

and today those clues are: brighter, fractured,

marred, stimulation, unknown, uncanny,

double negative, and even a few yet spoken.

 

If I could grind up these words to make a pigment

to paint with, these would be music more than color,

the music of thunder, the shudder of forces of nature

coming into contact and then departing or dispersing.

 

How could anything as broken as fractured stimulation

become the clue to some of the greatest mysteries of being?

How could something as uncanny as a double negative

serve a higher cause than the brightness of a day?

 

How fortunate to be inside the Rubik’s Cube of sound itself

such that even sound follows a brightness spectrum.

But there are days such as these.

 

Janice Sandeen ~ 26 March 2017

written while virtually “attending” the writing jam w/Daniel Ari

spoken at The Spoken Word Open Mic in Taos, NM @ SOMOS

Self Inquiry